Alice Yard - Week 2

Week 2 is done! oh gooooood time flyin’

Let me see, there was less touring around the countryside this last week. Still I did get up to the Bamboo Cathedral, which is gorgeous. Would be nice to go some time prepared to walk further.

A trip to Town. 

Do NOT touch the mannequins

The Colonel or Carol's?

The Cathedral of the Immaculate Conception

The National Library

a real mixture of architecture

it was pretty impossible to get any photos without cars in them

- - - -------

Christopher Cozier returned from his residency so we did great studio visits. It was wonderful to hear his thoughts on my work and see his artwork in person. I am now a proud owner of one of his pieces. ok so it is about 2 x 5 cm - you gotta start somewhere!

I also went up to Granderson Lab to visit Alex Kelly and see his studio.

Back at Alice Yard, TOOF is here to install the new posters, changed every two weeks. These ones are by Richard Rawlins

See you on Sundays setting up for a screening of art documentaries

At "fifty-fifty" - an installation and conversation conceived by Marsha Pearce in collaboration with Medulla Art Gallery

Despite all the photos, the last few days I have been in front of the computer a lot. The date has been set for my artist talk and presentation so time to finish things up. There is nothing like necessity to force you to learn how to use editing software better. 

A residency is a strange beast. Trying to soak everything in, get out and about but also do work. And  producing work with the awareness that the full extent of my experience of my residency here at Alice Yard will only come out later. I am sure that ideas will come to me from this experience at a later date and that I will end up crossing paths with people I have met here in other countries.

At the same time, I am left with the lingering feeling that I need to come back here in the future to make more work. (are you reading this Chris, Nicholas and Sean? :-)

Pure Caribbean

Turn up your volume

Alice Yard - week 1

My first week at Alice Yard has sped by. I was nervous and excited before coming here, not really knowing what to expect and what was expected of me for my first official residency. Despite Trinidad being a different country than Barbados, the general familiarity of the environment made me feel more comfortable once I arrived here. The Alice Yard space is great - with a small apartment, a studio space, a gallery, lots of general outdoor yard space. Sean Leonard and Nicholas Laughlin welcomed me and have been great to chat to about Trinidad. Christopher Cozier is off at a residency himself and will be back shortly. 

The residency has been about finding a balance between spending time in the studio and walking around looking at everything. After being on my list of things to read forever, I am finally reading The Repeating Island by Antonio Benítez-Rojo (somewhat more slowly than usual as, in the heat, I find myself holding the book with my eyes closed - going to hit up the coffee shop this week to read in the AC). Also looking at fiction - currently reading Land of Love and Drowning by Tiphanie Yanique which takes place on St Thomas when it transitions from being a Danish to an American colony-  and have my eye on a Nalo Hopkinson next. I have been working on ideas and putting my very rusty drawing hand to work on a few sketches. 

View from the rooftop terrace at Alice Yard

Queen's Park Savannah

I have had the opportunity to meet Marlon James a Jamaican photographer living here, Ashraph Ramsaran from the Frame Shop. a space inna space, and had a bite to eat with Malaika Brooks-Smith-Lowe from Grenada who I cross paths with every few years in a different country.

I visited The National Museum and Art Gallery, which was what I expected - a mixture of historical, social, economic and natural history. Unfortunately, the fine art section was closed until further notice but the room filled with Cazabon’s drawings, paintings and lithographs was accessible. 

Walking around Port of Spain

I went on an Island Hikers walk to Chacachacare Island, which has served as a cotton plantation, a whaling station and a leper colony. There were amazing views from the lighthouse and one could see just how close we were to Venezuela (the two countries were once physically connected). There is a long history of exchange, migration etc with South America both pre- and post-Columbus. One of my grandmother’s sisters moved to Venezuela in the 1930s or early 1940s and then had 8 children so I have a whole set of family in Venezuela that I have never met. 

Venezuela just over there

Ashraph also took me down to Chaguanas to meet Shalini Seereeram and see her studio. We all went to the Dattatreya Temple and Hanuman Statue, Temple by the Sea and then to Our Lady of Monserrat RC Church and Tortuga's surrounding rolling hills. 

The Lion House made famous in VS Naipaul's A House for Mr Biswas

Hanuman Statue

Dattatreya Temple

Temple by the Sea

A sno-cone. Artificial-flavour-on-ice-topped-with-condensed-milk goodness

Our Lady of Monserrat RC Church

Old postal station in Tortuga

A cocoa drying house (no longer functional)

Moving around, seeing these different sites, is important but still it also feels like I am playing tourist. I wonder about the flaneur-residency model that happens in the art world - how much does it replicate tourism and the power dynamics within that? It does make me consider how one’s position must be negotiated with care.

Hurvin Anderson at the AGO

Marlon James at the Toronto Public Library

https://soundcloud.com/toronto-library/marlon-james-at-the-appel-salon

And since he mentions Under Mi Fat Ting, here it is

Omer Fast on the Striptease of Revealing his Characters, Questioning Truth, and Failing Consistently

An Interview in Artsy Editorial by Emily Nathan

Emily Nathan interviews Omer Fast about his show at Jeu de Paume in 2015. She asks him about how his videos deconstruct and reconstruct stories “embody a postmodern skepticism about the existence of a singular narrative”. She asks him about his multicultural heritage, performance and truth. 

OF: "I was highly aware of the degree to which things that we think of as immutable at that age - identity, language, connection to an particular milieu, and so on - are extremely negotiable and extremely related to performance”

OF: “What I am  much more interested in is the mechanics of performance, and the codes that we employ to tell our stories"

Nathan, Emily. "Filmmaker Omer Fast on Playing Dr. Frankenstein to His Characters." Artsy. Artsy Editorial, 26 Oct. 2015. Web. 15 May 2016.